In particular, the police drama or procedural is a staple of television programming in the United States, and several shows have experienced critical acclaim, large viewing audiences, and longevity. Every year, television executives attempt to find crime and justice programs that capture viewers and enjoy high ratings (Bielby & Bielby, 1994). The experiences of police, lawyers, judges, private investigators, medical examiners, correctional workers, criminals, and victims are probed in a variety of television shows. Crime is a central feature in news, newsmagazines, documentaries, reality-based shows, and fictional drama. The public has a long-standing fascination with crime, law, and justice. The emergence of cable networks has allowed the police drama to push the limits of television by depicting the police in a more realistic fashion.

Contemporary police dramas, especially shows that appear on network television, tend to focus on a law and order approach. Moreover, the standard law and order approach was challenged, as a more liberal explanation of crime emerged with social inequality as a cause of criminal behavior. In the 1980s, the portrayal of police became even more complex with the appearance of Hill Street Blues, a genre altering show that introduced serialized storylines and characters that were depicted with distinctly human characteristics, with real emotions and flaws. Moreover, demographic shifts in the field of policing led to more diversity in media depictions of police, with shows that featured female and African-American characters. The 1970s represented the golden age of the police drama, with numerous shows that can be described as gimmicky, with police appearing as super-cops who could singlehandedly fight corruption and achieve justice. The classic example of an authentic police drama is Dragnet, while more recent versions would include shows such as the very popular Law and Order franchise. The authentic police drama features storylines and characters that engage in somewhat realistic investigative practices and depict relatively common criminal events. These types of shows represent the so-called “authentic” police drama. Early portrayals focused on a law and order approach, in which the police were moral agents who represented a conservative, pro-establishment point of view. Sweeping changes within society have resulted in shifting portrayals of the police on television. However, some police dramas capture large viewing audiences and/or achieve critical acclaim. The vast majority of these shows are short-lived and are largely forgotten. In fact, almost 300 police dramas have aired on American network, cable, and syndicated television, with several new shows premiering each year.

Sometimes referred to as a police procedural, the police drama is a staple of both current and past television programming. Some television cops, such as Joe Friday, Columbo, and Kojak transcend the genre and become enshrined within popular culture. In particular, the police are featured as prominent characters in many fictional crime programs. Since the inception of television, portrayal of crime and justice has been a central feature on television.

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